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When a scene in Sally Forth calls for a specific locale (grocery store, movie theater, etcetera) I’ll often use spots around my hometown of Minneapolis for reference. Take the following…
Excerpt from Francesco Marciuliano’s script for 9/22/2016.
Scene: Exterior. Sidewalk. Right Outside Comic Book Store. Hilary and Faye exit the comic book store. Each has a bag showing a comic book purchase.
For the comic book shop I chose Comic Book College.
It holds a little nostalgia for me as it used to be called Comic City back in the day (and was located one store down from where it is now). For those interested in the history, check out the College of Comic Book Knowledge.
The two guys approaching the comic book store in the first panel are fellow Joe Kubert School classmates Brian Bilter and Mark McMurray.
They’ve snuck into the strip before – it usually happens when I’m not paying close enough attention.
Mark even went so far as to crash a Flash Gordon strip I did back in the day (when he had longer hair).
More on that at joikmeister.livejournal.com
Unabashed plug time!
If Sally Forth isn’t in your local paper you can check it out online at SallyForth.com, or get a subscription at…
A yearlong subscription to all of King Features’ comics (new and vintage) plus ten years worth of archives for every single strip is a pittance at $19.99 a year. Unsure? Try a 7 day trial subscription for free.
2 dailies. Image area of each is 3 ¾” x 13″.
Lettering is done digitally and laid in after the artwork is scanned.
For art materials I use, check out Tools of the Trade.
Among the number of emails I’ve received today, some have praised today’s strip with the little girl in the hijab for reflecting “the diversity that is America.” – others have hated it saying “It was wrong and wholly inappropriate!”
I’d like to state, as the artist on Sally Forth, I currently live in an area that is home to a large number of Somali Americans that have been here for generations and wear the traditional hijab. My drawing is just an everyday classroom scene in my neck of the woods.
For those who were offended that it ran the day after 9/11 I’d also like to add that I lived in New York when the attacks happened and watched the towers go down from across the bay. I abhor the terrorists for what they did. They killed close to 3,000 people that day of ALL faiths and religions.
To strike back against that kind of evil I’m reminded of the words of Nobel Prize laureate Malala Yousafzai, who survived a bullet to the head by a Taliban gunman for being an advocate for a girls’ right to go to school. Her message is that the key in fighting global terrorism is education. So maybe the image of a little Somali American girl in a classroom getting an education is exactly what we need to see MORE of, not less.
And that’s my two cents…
As with any superhero movie these days, there are those fans who have a problem with casting before the movie has even seen the light of day. The most recent is Zendaya as Mary Jane in the upcoming Spider-Man film starring Tom Holland.
For the Twitterverse argument, check out the following from Mic Network Inc.
Zendaya is Mary Jane in ‘Spider-Man: Homecoming,’
so of course there’s racist backlash
For my two cents worth let’s go back to the very beginning shall we…?
Here’s John Romita (who first drew Mary Jane) on creating the character.
“…I think I based her partially on Ann-Margret. I used Ann-Margret’s dimples and a cleft in the chin and some of the full faced smile that she had, cause we were trying to make a girl that was very with-it, and very modern.”
If you watched the previous video clip, you saw a little bit of a 22-year-old Ann Margaret – the very definition of with-it and modern for the 1960s.
Now compare it to the following clip of Zendaya dancing with Tom Holland and ask yourself if she fits the role in 2016 for “very with-it, and very modern.”
Courtesy of Deja Carter‘s Instagram
And if you need any further convincing, here’s a quote from Stan Lee (Mary Jane’s co-creator) regarding Zendaya being cast (from the Toronto Sun).
“If she is as good an actress as I hear she is, I think it’ll be absolutely wonderful.”
If you have any other arguments, it is now moot.
Nuff said. Excelsior!
Update: I’d like to clarify that I don’t think that anyone who objects to the casting because it’s not the original look of the character is a racist. That’s absurd.
My point is that the character of Mary Jane was created as a vivacious, fashionable modern woman – and in adapting that character to film her hair and skin color aren’t necessarily the defining elements. That’s my two cents worth at least.
They were rescued in 1975 from an old steamer trunk sitting on a curb awaiting trash pick-up in Rego Park, Queens. Mario J. Sacripante spied the trunk outside of the building where he lived, and where – he soon learned – Bob Kane, Batman’s creator, had also lived for many years.
“Holding some of these pages next to the printed comic I was struck by the details of the art that are better visible here,” said Barry Sandoval, Director of Comics Auction Operations at Heritage. “Very little original comic book art from the 1930s has survived, so this is probably the closest a collector would ever get to owning original art from one of the most collectible comic book stories ever.”
In 2011 the pages were estimated at $1,000+ each.
The final selling price is listed beneath each page.