Mike Wolfer on Fan art/Homage art

The following is good advice from fellow Kubert School alum Mike Wolfer.
Originally posted on his Facebook page.


Granito

I’ve seen seeing quite a few stories and posts concerning “fan art/ homage art” and the legality of selling works featuring characters created by others. To all of the artists out there who have a talent for drawing and are thinking of setting up a booth at comic conventions (or on eBay, or Etsy, or Redbubble, or anywhere else), here’s some easy rules of thumb:

1. If you’re a comic pro and are selling prints of your art featuring a company-owned character, and you’ve made arrangements with or have the approval of that publisher to sell your prints, you’re good.

2. If the above applies, except you do not have the publisher’s approval, you may one day be faced with a lawsuit, as Ghost Rider creator Gary Friedrich experienced.

3. If you’re a “fan artist” and are creating original works, from your own layouts, of characters owned by others, and you’re doing commissions (i.e. you draw a single piece and sell that single, original piece to a collector), that’s generally okay.

4. If the above applies but you’re reproducing that art and selling art prints in quantity, you’re looking for trouble.

5. If you’re a “fan artist” and you’re directly tracing/swiping/lightboxing others’ work, right down to duplicating their unique and recognizable styles, and you’re hiding being the despicable dodge that it’s an “homage” and that it’s an original piece of art because you changed a few colors here or there… If I can walk up to your booth and look at your art prints featuring the work of others and easily detect 20 different artists’ works, then you need to close up shop. In fact, convention organizers should not even allow you to purchase a booth in which you’re selling mass-produced forgeries. If you’re selling these prints on eBay, Etsy, Redbubble, etc., then you need to be reported, and I would heartily encourage anyone and everyone to do so.

As an artist, if I saw my original work copied and reproduced by someone else as art prints on display at their booth, and if they were taking credit for the work that I created and were making money from it- Let’s just say that there would be immediate and quite public consequences.

I hope that clears things up.

-Mike Wolfer

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UPDATE…

When it rains, it pours…
A recent post on Scott Shaw’s Facebook page.

    I’ve been attending fan conventions since the World Science Fiction Con (WorldCon) in Berkeley, CA in 1968, so I’ve seen a lot of ’em. Lately, I’ve been noticing that at least 25% of the retailers’ floorspace at fan shows seems to be devoted to artists selling prints (for $5 to $20) of their work using countless famous characters that they don’t own and have never drawn professionally.

    In an age where TeeFury can steal the concepts of others and sell T-shirts bearing immediately recognizable characters while using a loophole that keeps them out of court), I’d feel unethical selling prints of characters I’d never worked on. However, drawing prints featuring characters I have drawn professionally is merely self-promotion.

    Commissions are original drawings for collectors and priced accordingly. But looking around the events I’ve been attending lately, I’m getting kinda sick of seeing vein-necked super-thugs, “sexy” female characters traced from porn photos and ADVENTURE TIME rip-offs. We get enough of those in mainstream comics drawn by professionals…which just shows how the lines of demarcation have become blurred like never before.


For more on the subject, check out National Cartoonists Society President Tom Richmond’s take on this on his blog – Comic Con Print Hustlers.

Richmond

Also his follow up, Parody and Copyright and Prints?

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Sally Forth – Charade

Sally.03.23

Does the picture of Sally in the first panel of the March 23-28, 2015
strips seem familiar?

Well, here’s the reference Francesco sent me to go by…

Audrey Hepburn

Audrey Hepburn

And for those who are unfamiliar with the Audrey Hepburn movie this is from,
I’ve included the original movie poster.

charade

-Jim Keefe

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Let it snow, let it snow, let in snow…

Not many people know this, but Francesco Marciuliano is a weatherman during his off hours. This became evident with yesterday’s Sally Forth (March 22, 2015 – but written months prior).

SallyForth

To give you an idea how spot on Francesco was, here is the scene at the park across the street from where I live after yesterday’s snowfall.

park


Coincidentally, I got in from shoveling and found this postcard in the mail from sunny Florida from my Sally Forth Sensei, Craig MacIntosh.

Postcard


Nothing much I can add to that, but to say it’s springtime in Minnesota.
Let us rejoice and be glad…

peanuts

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John Romita Draws Flash Gordon

Today’s Flash Gordon strip (3/22/2015) originally ran on December 1, 2002.
The art is by John Romita Sr.

Romita

As King didn’t pay me much for writing and drawing Flash Gordon, I couldn’t offer Mr. Romita much money – his decision to do it pretty much hinged on the fact he grew up on Alex Raymond’s Flash Gordon Sunday page. To grease the wheels some more I also mentioned that Joe Kubert had done the strip just a few weeks prior. (More on that in my previous post.)

Kubert


Romita’s strip came out shortly after the first Spider-Man movie came out in 2002. Talking on the phone, one of the things he really took pride in regarding that first Spider-Man film was the prominent role Mary Jane had. (More on that in a previous post as well.)


Romita was the artist as a kid I recognized as THE Spider-Man artist. From that point on instead of buying a comic book because of the character (Spider-Man, Batman, etc.) I started following the creative team.

The following is a pic from 1993 when I was on staff at King Features. It was at some cartoon art exhibit (I forget where). My friend Jerry Craft made a point of taking the picture, as I could barely get out the words, “Me like your art good.”

Fledgling artist, Jim Keefe,  with John Romita Sr. - May 1993

Fledgling artist, Jim Keefe, with John Romita Sr. – May 1993

To then work with Romita years later on a Flash Gordon page was one of those high water marks that professionally just can’t be beat.

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Fair Trade Books – Red Wing, MN

Joshua Schaefer of Fair Trade Books

Joshua Schaefer of Fair Trade Books

Shout out to Joshua Schaefer of Fair Trade Books in Red Wing, MN for suggesting
Kim Dietch’s book, The Search for Smilin’ Ed!

SmilinEd

One of the few books I don’t have of Deitch’s which somehow Joshua magically knew.


Unabashed plug time – if you’re in Red Wing, check out Fair Trade Books.
Great store and friendly service. It’s a win win!
On the web at fairtradebooksredwing.com

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Announcing… SallyForth.com!

website

Introducing the new Sally Forth website!

The first post is a welcome from Sally Forth scribe himself, Francesco Marciuliano.
Be sure to check it out!

Group.Shot

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Flash Gordon by Mark McMurray – 11/24/02

Today’s Flash Gordon strip (3/15/2015) originally ran on November 24, 2002.
The art assist is by Mark McMurray.

Click on artwork to see larger.

Flash2002_11_24c

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Process

Shown below is my script followed by Mark’s pencils then my inks.
Side note: Mark was always gracious enough to give me free reign if I wanted to alter anything in regards to inking.


Flash Gordon 11/24: script

Panel 1

    Direction:
    Wide angle shot of mayhem. Creature’s feet shown crashing down, just missing Flash – but severing chain.

    Dialogue:
    Text Box: As the monster bucks wildly at its bonds – Flash is freed!

Panel 2

    Direction:
    Thun and Vultan keeping creature at bay with chains. Think “Valley of the Gwangi” where the cowboys have the dinosaur at bay with their lassos.

    Dialogue:
    Thun: We can’t hold him for long…get moving! SAVE DALE!

Panel 3

    Direction:
    Ming’s vantage point (from throne) of Flash running towards Dale.
    Other people are in spectator’s booth with Ming – but need not be in shot.

    Dialogue:
    Ming: A valiant effort, Gordon – but futile…

Panel 4

    Direction:
    Flash grasping in futility at Dale’s chains.
    Looking over shoulder to see gate (opposite end of arena) beginning to open.
    Creature (in shadow) can be partly seen behind gate.

    Dialogue:
    Flash: The chains are too strong…
    THERE’S NO WAY I CAN BREAK YOU FREE!

    Sound effect (creature): RRRRRRRAAAAAHHH!

    Text Box (lower right hand corner): To be continued!


Mark.pencils

Flash_inks


mark

For more of Mark’s work check out his website at: joikmeister.livejournal.com

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