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Greg Howard Sally Forth

Minikahda Club – The RETURN…

01.Bill

Back in 1981 Mickey Rooney did a made-for-TV movie (that’s what they called them back then) called “Bill”. The movie was a docudrama of Bill Sackter’s life story, a mentally challenged man (Mickey Rooney), who was befriended by young filmmaker Barry Morrow (played by Dennis Quaid).

Dennis Quaid and Mickey Rooney
Dennis Quaid and Mickey Rooney

Barry met Bill at a staff Christmas Party at the Minikahda Club in Minneapolis where Bill had been employed as a dishwasher.

Cut to the Minikahda Club the summer of 1982 where a high school age Jim Keefe is bussing tables, wanting to become a cartoonist but with no clear path.

The buzz Keefe overhears from members of the Club is about Mickey Rooney and the film crew that has just wrapped filming there, but also about a local lawyer who had quit the profession to become – of all the crazy things – a cartoonist.

The lawyer/cartoonist’s name was Greg Howard. The strip, Sally Forth. 

Greg Howard - circa 1982
Greg Howard – circa 1982

Pic by Alan Light from the 1982 Minneapolis Comic Con.

Strips from the inaugural first week of Sally Forth.
Strips from the inaugural first week of Sally Forth.

With the cartoon landscape of the 1980s showing housewives mostly in the mold of Blondie and Hi and Lois, Sally Forth would become part of a new generation of comic strips (along with Lynn Johnston’s For Better or For Worse and Cathy Guisewite’s, Cathy) that showed woman taking center stage in a more modern setting. Because of this – and the fact that they were original and funny – success in newspaper syndication followed.

The camera fades to present day as we open on the Minikahda club on a cold winter’s morning.

Minikahda.01

Today’s Rotary Club speaker is the current cartoonist of Sally Forth, who skipped the law school route, and instead attended the Joe Kubert School.

The camera pans to reveal none other than… Jim Keefe!

I had a great time speaking and would like to thank Christine Daves of Think-Organized.com for the invite.

RotaryClub

And also thanks to the Minneapolis Uptown Rotary and the work they do for the community, part of which was a donation in my name to the Jefferson Community School.


Epilogue: I mentioned to one of the wait staff at the Minikahda Club before leaving that thirty-five years ago I had been a busboy there. Her answer, “Thirty-five years ago I hadn’t been born yet.”

Here's mud in your eye!
Here’s mud in your eye!
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Artist Spotlight Charles Schulz

Charles Schulz 1922-2000

Schulz_Charles.02

On the eve of his final strip being published, Charles Schulz passed away in his sleep at his home in Santa Rosa, California. He was 77 years old. When he was diagnosed with colon cancer in November of ’99 he decided to end the strip so he could concentrate on getting better. Deciding that the Peanuts comic strip would not continue without him at the helm, Schulz stipulated in his contract that the syndicate could not hire someone else to draw the strip in his place. The last daily appeared on January 3, 2000. The last Sunday, February 13, 2000.

FinalStrip

I was fortunate enough to meet Charles Schulz at the Reuben awards in New York back in 1996. Some common ground we shared was that we were both native Minnesotans. When I mentioned that I had just started doing Flash Gordon but it wasn’t in many papers, he responded by saying that when he first started Peanuts he wasn’t in too many papers either.

He was an inspiration to me growing up, not only because of his enormous talent, but because he was a native Minnesotan – someone from the same background who made it, who drew cartoons for a living. When interviewed by Whoopi Goldberg back in the ’90s, Schulz once said, “I always wanted to be suave. Y’know, I’m from Minnesota… there’s no suave people in Minnesota, it’s too cold.”

He may have not considered himself suave, but he was definitely a shining example of someone at the top of his field. Schulz put his whole heart and soul into his art, and because of that, Peanuts is the gold standard of how good a comic strip can be.

He’ll be sorely missed.

-Jim Keefe

Cartoon I drew November of '99 for a get well card.
Cartoon I drew November of ’99 for a get well card.
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Company I

Lieutenant Richard Keefe – Nuremberg, Germany

Lieutenant Richard Keefe
Lieutenant Richard Keefe

After the end of World War II my Dad was stationed in Germany until the fall of 1946 and eventually served as the Headquarters Company Commander, 1st Division, 3rd Battalion, 26th Infantry. A point of distinction was that this put him in command for a time of the motor pool for the International Military Tribunal at the Nuremberg Trials.

Here’s an excerpt from a letter home to his sister Pat from April 1946.


I think I told you I am now commanding officer of the Court House Motor Pool.

I have so much property it isn’t funny. I am signed for over 200 vehicles. Everything from 4 ton wreckers worth $20,000 to Packards, Buicks, Fords, Jeeps, 2 1/2 ton trucks, 100 civilian box’s making over 300 vehicles. I’m waiting for me to mess things up and then it will be a toss up to see if Goering or I get hung 1st.

Sunday I went through the prison. All information about it is so secret so I will stop here. It was very interesting and after it is all over I’ll tell you about it. No press men or correspondents can get near the Place.

We are very short of officers in the Battalion now and are kept very busy. I’ll close now as Johnson just came in from the Grand Hotel and is talking to me so I can’t concentrate.

Love to All,
Dick

The folowing are picture found on the internet of Nurenburg circa 1946.
Note: Pictures are linked to their source when called for.

Grand Hotel - Nuremberg, Germany, 1945-1946.
Grand Hotel – Nuremberg, Germany, 1945-1946.
The Palace of Justice on Fürther Strasse - East wing.
The Palace of Justice on Fürther Strasse – East wing.
Prison cell block, Nuremberg, 1946
Prison cell block, Nuremberg, 1946
The Nuremberg Trials
The Nuremberg Trials
Hermann Goering at the Nuremberg Trials - 1946
Hermann Goering at the Nuremberg Trials – 1946
The Palace of Justice in Nuremberg on the day the judgement of the International Military Tribunal was handed down. Nuremberg, Germany, October 1, 1946.
The Palace of Justice in Nuremberg on the day the judgement of the International Military Tribunal was
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handed down. Nuremberg, Germany, October 1, 1946.

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The following are videos that were taken about a year earlier than the timeframe my Dad served in the 1st Division. As Nuremberg was considered the ceremonial birthplace of the Nazi Party, hosting the Party’s annual propaganda rallies, it was considered a fitting place to hold the war trials and mark the Party’s symbolic demise.


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Artist Spotlight Artists - Cartoonists Daisuke Higuchi

Daisuke Higuchi – Whistle!

From 2004 -2010 I lettered a book for Viz Media called Whistle!
The story and art were by Daisuke Higuchi. I lettered pretty much the whole run and in doing so became a big fan of Higuchi as a storyteller. The following is a brief bio that ran in the series’ final issue.

Daisuke Higuchi’s manga career began in 1992 when the artist was honored with third prize in the 43rd Osamu Tezuka Award. In that same year, Higuchi deputed as creator of a romantic action story titled Itaru. In 1998, Weekly Shonen Jump began serializing Whistle! Higuchi’s realistic soccer manga became an instant hit with readers and eventually inspired an anime series, debuting on Japanese TV in May of 2002.

Daisuke Higuchi

In a nutshell, Whistle! is about a young middle school boy named Shō Kazamatsuri who’s one and only dream is to play soccer but because of his small stature he has to overcome adversity after adversity to do so – he also serves as an inspiration to to his friends and teammates, drawing them closer together – classic underdog story.

Whistle cast with Shō in the foreground.

Note: For the uninitiated, the accompanying pages are read right to left – not left to right..

Page that starts out each volume if you open it the wrong way.

The following pages show a great sense of design as Daisuke Higuchi freezes a moment and shows different aspects of a scene. In the scene on the left, the opposing team has just made the winning goal. In the scene on the right,  Shō’s teammate Hiroyoshi has accidentally made a goal for the opposing team.

Click on image to enlarge.

More of the same, but in these two cases the focus is on characterization…

Click on image to enlarge.

The following is from a particularly strong sequence from Volume 12.
First a little back story from the previous issue; Shō has just made a near impossible shot tying the game – but the coaches see something else…

Click on image to enlarge.

The scene that follows opens with Shō and his friend Tatsuya showing up at Tatsuya’s father’s house (who he is estranged with). Tatsuya’s father is a soccer coach for a rival team and has some old soccer footage he wants Shō to see – at the same time some other coaches are meeting for lunch, and Akira (the female coach) echos Tatsuya’s father’s sentiments.

There’s so much to love in that scene.
• The way the dialogue bounces back and forth between the two characters speaking.
• The look of sheer joy on Akira’s face as a young girl followed by the more reflective aspects as an adult.
• The projector on the bottom of page 42 seen as just a glowing light.
• The end shot of Shō as he stares entranced at the footage of a father he never knew.

Beautiful stuff.

Stephen King in his book “On Writing” states, “I think the best stories always end up being about the people rather than the event, which is to say character-driven.”

There are a million underdog stories out there, the ones that resonate come not from the story construct but from how deeply you’re invested in the characters. Higuchi’s strength as a storyteller is her engaging cast of characters.


You can check out Whistle! at your local library’s manga section.
To purchase, go to Viz.com or Amazon (to name a few).

Whistle! © 1998 by Daisuke Higuchi. All rights reserved.

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