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Artist Spotlight Bernie Wrightson

Bernie Wrightson – Inspiration

Back in the mid 1980s I tried out classes at the Minneapolis College of Art and Design for a semester. Currently at MCAD you can major in Comic Art, but back then comic art was not a thing. In fact it was generally frowned upon.

I was in a film class, and the assignment was to bring in something of interest to us and then talk about it while being filmed (something about getting comfortable in front of a camera I guess). I brought in the recently released Cycle of the Werewolf novella by Stephen King – with beautiful illustrations by the one and only Bernie Wrightson​.

Wrightson’s magnum opus Frankenstein had been released just prior and he was (and still is) a god of illustration to me.

While I talked about my admiration for Wrightson’s work, fellow students off camera started talking within earshot. The gist of it was, a hack writer hired a hack comic book artist – and it’ll be an instant hit to the mindless masses – but it was far from ART.

Hearing this I started talking into the camera a little louder how great an artist Wrightson was and how he was not the “hack” some people thought.

This bias against comic book art was mirrored by the teachers in those years, and as the vibe at MCAD wasn’t right for me I left. Within a year I had found out about and enrolled at the Joe Kubert​ School, so a win-win for me. Suffice it to say most of my new classmates were big fans of Wrightson as well.

In my experience, animation and cartooning has always been looked down on by the fine arts community, or at best given a condescending pat on the back. To me, sequential art is the best way to tell a story – and the artists who excel in the field are Masters. With the rise in popularity of “graphic novels” here in the US there’s been more mainstream acceptance of sequential art, but for the rank and file in the arts community I don’t see that much has changed.

That said, I don’t care. I’ve been working in this field for over 30 years now and am surrounded by people that have the same love of cartooning/comics/anime/manga that I have. Ends up there’s no need to waste time banging heads with people who unfortunately are limited in their thinking of what constitutes Art.

And that’s my two cents.


That said… Here’s to Bernie Wrightson (1948-2017). A master of pen and ink who’s work still remains an inspiration to me. The gold standard to shoot for every time you pick up a Series 7 Winsor & Newton brush.


Here’s a quick video of Bernie Wrightson from 1987, with an intro by Harlan Ellison. Wrightson talks about his work on Swamp Thing and Frankenstein among other highlights – Enjoy!


Last but not least, a poignant tweet from Neil Gaiman from when Wrightson died…


Addendum: Bernie Wrightson’s work on Frankenstein has since toured Art museums across the country as part of the Guillermo del Toro: At Home with Monsters exhibit. They are truly breathtaking to see in person.

To see so many different comic book artists on display in this show was just phenomenal. A shout out to Guillermo del Toro for providing a worthy showcase of these extraordinary masters of comic art – Vive la résistance!

Categories
Sally Forth Steve Bissette

Sally Forth Jam Session With Horror Master Stephen Bissette

As the Sally Forth Halloween story kicks into high gear this week, I have something kinda cool to help promote it. A promo piece with art by none other than horror master Stephen Bissette!

Drawing of Hillary by Jim Keefe – Background demons by Stephen Bissette

Stephen Bissette is an award winning cartoonist, editor and publisher – Most notably for his work on Swamp Thing, Tyrant and the comics anthology Taboo. He currently teaches at the Center for Cartoon Studies in White River Junction, Vermont.

And how did this creepy collaboration come about you may ask? Well earlier this month I posted a Sally Forth panel that I had drawn that had a wall full of demons (as sometimes happens).

The panel being part of writer Francesco Marciuliano’s Halloween story where weird things are happening inside the Forth home.

Sally Forth comic strip from October 4, 2018

I also mentioned online that the inspiration for the panel came from a Stephen Bissette/John Totleben comic book page drawn during their award winning run on Swamp Thing (in collaboration with writer Alan Moore).

Shortly after that post I got the following message.

Followed by my reaction.

I immediately gave a thumbs up, and then sent Stephen a rough of Hillary in the foreground with a demon doll and horrific creatures slithering in the background. In short order I was sent the following inks.

And THAT in a nutshell is how Francesco and I ended up with a very cool promo piece for the current Sally Forth Halloween story.

I want to give a special thanks to Stephen Bissette for taking time out of his busy teaching schedule at the Center for Cartoon Studies to do this – Greatly appreciated!

And with that said – Hope everyone stays tuned as our Sally Forth Halloween Story continues…

Categories
Artist Spotlight Thomas Nast

Thomas Nast (1840-1902)

Thomas Nast – circa 1870s

Thomas Nast was an illustrator and cartoonist for Harper’s Weekly. In his 30 year career with the magazine (1857-1887) Nast drew approximately 2,250 cartoons.

From 1863 through 1886 he contributed 33 Christmas drawings to Harper’s Weekly. In those drawings he created and popularized the modern image of Santa Claus.

Merry Old Santa Claus by Thomas Nast
Harper’s Weekly January 1, 1881

Nast is also widely credited for exposing the corruption of William M. Tweed who ran New York City’s Democratic political machine at Tammany Hall. When Nast died in 1902 the New York Times eulogized him as the Father of the American Political Cartoon.

Harper’s Weekly, January 6, 1872

Harper’s Weekly, August 19, 1981

Harper’s Weekly, December 25, 1981

The following video from Ric Burns’ epic documentary of New York spotlights how Thomas Nast’s pen took down Boss Tweed.


Thomas Nast drawings were printed using wood engravings. Here’s a short video of artisan Chris Wormell showing how it’s done.


Thomas Nast at his Desk circa 1880 – From the Museum of the City of New York. 

Portrait of Thomas Nast, 1902.
Pirie MacDonald Photograph Collection New York Historical Society.

For more on Thomas Nast I recommend the following links.

ThomasNastCartoons.com

A Salute to the Man Who Created Santa

Thomas Nast Takes Down Tammany

Thomas Nast: Father of the American Political Cartoon

Macculloch Hall Historical Museum

Categories
Craig MacIntosh Sally Forth

Adieu to a Sally Forth Easter Tradition

Title

A quick word from Francesco Marcuiliano…

“As Jim Keefe and I prepare to enter “Phase Two” of the “Sally Forth Comic Strip Universe” this September (or “Phase 147,” depending on how many times you think I’ve altered/ruined the strip in my 22 years of writing it), we begin to say farewell to a few of the hallmark stories that made “Sally Forth”—in the words of one critical rave—”Available in print and online.” First up is “Sally Forth Eats the Ears off Her Own Child’s Chocolate Easter Bunny Every Year,” a long-ago inherited running gag that began what I assume as a touching tribute to poor boundary issues and in the last two decades has evolved into a loving tale of parental mind games and ensuing childhood mental breakdowns.”


So without further ado, presenting a nostalgic chocolate bunny-eared look back!

Side Note and Further Ado: Sally Forth first premiered in 1982 written and drawn by Greg Howard. The bunny ear storyline retrospective shown here only goes back to 1999 due to the digital files that were available.

For those keeping track: The writing credit switch from Greg Howard to Francesco Marciuliano can be found on the top of the strip in the credit line.

For art credit: The strips start off in 1999 with Craig Macintosh handling the drawing chores, then in 2011 Craig hired Jim Keefe to assist with inking and coloring the Sunday pages. The March 31, 2013 Sunday page was where Jim was in charge of the whole package – pencils, inks, lettering and coloring.

– Click on images to see larger –

1999


2000


2001

Infamous Non-bunny ear themed strip.

 


2002


2003


2004

2004.04.11


2005

2005.03.27


2006

2006.04.09

2006.04.16


2007

2007.04.01

2007.04.08


2008

2008.03.23


2009

2009.04.12


2010

2010.03.28

2010.04.04


2011

2011.04.24


2012

2012.04.08


2013

2013.03.24

2013.03.31


2014

2014.04.13

2014.04.20


2015

2015.03.29

2015.04.05


2016

2016.03.20


2017



2018



2019



Update: Here’s a link to the Sunday Comics Department blog’s spotlight on chocolate bunny ears past, Greg Howard edition!
Chew Your Ears Off

And now an unabashed plug…

If Sally Forth isn’t in your local paper you can check it out online at…

ComicsKingdomLogo

A yearlong subscription to all of King Features’ comics (new and vintage) plus ten years worth of archives for every single strip is a pittance at $19.99 a year!

Categories
Hal Foster Ramblings & Reviews

Hal Foster’s Prince Valiant: The Fantagraphics Studio Edition

Hal Foster’s Prince Valiant: The Fantagraphics Studio Edition.
The Holy Grail for a Prince Valiant collection. Initial price tag was steep (and out of my price range), but Deb cashed in a bunch of Amazon promo codes she had to make it affordable for me (because she’s wonderful).